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Title:How We Think: Digital Media and Contemporary Technogenesis
Format Type:Ebook
Author:
Publisher:University Of Chicago Press
ISBN:0226321428
ISBN 13:
Number of Pages:296
Category:Non fiction, Theory, Technology, Philosophy, Literary criticism, Internet, Contemporary, Science

How We Think: Digital Media and Contemporary Technogenesis by N. Katherine Hayles

PDF, EPUB, MOBI, TXT, DOC How We Think: Digital Media and Contemporary Technogenesis How i do i we think N Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through with and alongside media As the age of print passes and new technologies appear every day this proposition has become far more complicated particularly for the traditionally print based disciplines in the humanities and qualitative social sciences With a rift growing between digital scholarship and its print based counterpart Hayles argues for contemporary technogenesis the belief that humans and technics are coevolving and advocates for what she calls comparative media studies a new approach to locating digital work within print traditions and vice versa .

Hayles examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship research teaching and publication She goes on to depict the neurological consequences of working in digital media where skimming and scanning or hyper reading and analysis through machine algorithms are forms of reading as valid as close reading once was Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each In addition to illustrating what a comparative media perspective entails Hayles explores the technogenesis spiral in its full complexity She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age illustrating this through three innovative digital productions Steve Tomasula s electronic novel i TOC i Steven Hall s i The Raw Shark Texts i and Mark Z Danielewski s i Only Revolutions i Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists i How We Think i presents a cogent rationale for tackling the challenges facing the humanities today

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How We Think: Digital Media and Contemporary Technogenesis, Chaos Bound: Orderly Disorder in Contemporary Literature and Science, My Mother Was a Computer: Digital Subjects and Literary Texts, The Cosmic Web: Scientific Field Models and Literary Strategies in the 20th Century, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, Chaos and Order: Complex Dynamics in Literature and Science, Writing Machines, Comparative Textual Media: Transforming the Humanities in the Postprint Era, Electronic Literature: New Horizons for the Literary, Unthought: The Power of the Cognitive Nonconscious
Tracing a journey from the s through the s N Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens from verbal texts to the diverse sensory modalities of multimedia works from books to technotexts br br Weaving together Kaye s pseudo autobiographical narrative with a theorization of contemporary literature in media specific terms Hayles examines the ways in which literary texts in every genre and period mutate as they are reconceived and rewritten for electronic formats As electronic documents become more pervasive print appears not as the sea in which we swim transparent because we are so accustomed to its conventions but rather as a medium with its own assumptions specificities and inscription practices Hayles explores works that focus on the very inscription technologies that produce them examining three writing machines in depth Talan Memmott s groundbreaking electronic work i Lexia to Perplexia i Mark Z Danielewski s cult postprint novel i House of Leaves i and Tom Phillips s artist s book i A Humument i Hayles concludes by speculating on how technotexts affect the development of contemporary subjectivity br br i Writing Machines i is the second volume in the Mediawork Pamphlets series, N Katherine Hayles is known for breaking new ground at the intersection of the sciences and the humanities In i Unthought i she once again bridges disciplines by revealing how we think without thinking how we use cognitive processes that are inaccessible to consciousness yet necessary for it to function br br Marshalling fresh insights from neuroscience cognitive science cognitive biology and literature Hayles expands our understanding of cognition and demonstrates that it involves more than consciousness alone Cognition as Hayles defines it is applicable not only to nonconscious processes in humans but to all forms of life including unicellular organisms and plants Startlingly she also shows that cognition operates in the sophisticated information processing abilities of technical systems when humans and cognitive technical systems interact they form cognitive assemblages as found in urban traffic control drones and the trading algorithms of finance capital for instance and these assemblages are transforming life on earth The result is what Hayles calls a planetary cognitive ecology which includes both human and technical actors and which poses urgent questions to humanists and social scientists alike br br At a time when scientific and technological advances are bringing far reaching aspects of cognition into the public eye i Unthought i reflects deeply on our contemporary situation and moves us toward a more sustainable and flourishing environment for all beings, The scientific discovery that chaotic systems embody deep structures of order is one of such wide ranging implications that it has attracted attention across a spectrum of disciplines including the humanities In this volume fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics forging connections between contemporary literature and the science of chaos They examine how changing ideas of order and disorder enable new readings of scientific and literary texts from Newton s Principia to Ruskin s autobiography from Victorian serial fiction to Borges s short stories br br N Katherine Hayles traces shifts in meaning that chaos has undergone within the Western tradition suggesting that the science of chaos articulates categories that cannot be assimilated into the traditional dichotomy of order and disorder She and her contributors take the relation between order and disorder as a theme and develop its implications for understanding texts metaphors metafiction audience response and the process of interpretation itself Their innovative and diverse work opens the interdisciplinary field of chaotics to literary inquiry, A visible presence for some two decades electronic literature has already produced many works that deserve the rigorous scrutiny critics have long practiced with print literature Only now however with Electronic Literature by N Katherine Hayles do we have the first systematic survey of the field and an analysis of its importance breadth and wide ranging implications for literary study Hayles s book is designed to help electronic literature move into the classroom Her systematic survey of the field addresses its major genres the challenges it poses to traditional literary theory and the complex and compelling issues at stake She develops a theoretical framework for understanding how electronic literature both draws on the print tradition and requires new reading and interpretive strategies Grounding her approach in the evolutionary dynamic between humans and technology Hayles argues that neither the body nor the machine should be given absolute theoretical priority Rather she focuses on the interconnections between embodied writers and users and the intelligent machines that perform electronic texts Dee Morris University of Iowa